Next Thursday, April 18 - Monica Paz performs and Easter Milonga
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April 18 Monica Paz at Firehouse Tango
See below for more information about Monica. She is in the United States for her yearly visit and will honor us with a performance at our Firehouse milonga on April 18th. She'll also teach the lesson at Los Pitucos Milonga in Oakland this Saturday, April 20th. Join her for both great events.
April 18 Easter Milonga at Firehouse Tango
On April 18th we'll have our annual Firehouse Tango Easter feast for our fellow Firehouse tangueros.
This year, Easter Sunday is the 21st. That makes Thursday, April 18th the perfect day to schedule the dinner.
The list of what we have so far is below. Please let me know if you'd like to contribute something. It can be home-made or store-bought.
Here is what we have so far:
- Sue - Ham and lasagna
- Terri - Arroz con pollo
- Mike Porro - His famous salad
- George Ngo - Swedish Meatballs
- Stephanie Davis - Pasta dish
- Eva Roth - Yummy empanadas
Thursday, April 25 - More or Less Kosher for Passover Milonga
On April 25th we'll have our annual Firehouse Tango Jewish New Year’s feast for our fellow Firehouse tangueros.
This year, Passover starts on Friday night, April 19th and ends on Saturday, April 27th. That makes Thursday, April 25th the perfect day to schedule the dinner.
As I do every year, I will make my mother's brisket (the best in the Bronx) with potatoes, carrots, and stringbeans, and a turkey. Please let me know if you'd like to contribute something. It can be home-made or store-bought. You don't have to be Jewish
to contribute.
Here is what we have so far:
- Sue - brisket with matzoh-balls, potatoes, carrots, and string beans, turkey, dried fruits and nuts, macaroons, desserts, matzah.
- Mike Porro - bitter herbs salad
- George Ngo - fried rice with artichokes and sun dried tomatoes
- Stephanie Davis - Vegetable kugels and dessert (mandel and merengue cookies)
- Eva Roth - Noodle kugel.
Last Thursday, April 11 - Birthday of Brigitte Szarka
Brigitte and Sandor have been loyal Firehouse friends for years, but this is the first time Brigitte has celebrated her birthday with us. Sandor started the birthday dance, and a long line of Firehouse tangueros followed. It was absolutely lovely, and I'm sure that she will do it again for many years to
come.
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If heaven is anything like celebrating one’s birthday at Firehouse Tango, it has a lot to recommend it. Frankly, I’d rather be at Firehouse. Thank you lovely tangueras, for a birthday memory I shall cherish. Con mucho amore,
Steve Turi
I keep saying I do not want to celebrate any more birthdays, but how many men will line up to dance with me, if not for the traditional tributes on birthdays.....oh well, you know that is not really true because our tanqueros dance with all of the ladies...
Terri Lopez
Help Needed for setup and cleanup in June
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Knights' next door neighbor, Anjelito, who has been helping with weekly milonga, will be away for four weeks in June. If you know someone who can help us set up before and clean up after for the four Thursdays in June, please let me know. The work entails about an hour before and a little over an hour after the weekly milonga. We pay well.
Last week, cortinas were from The Four Seasons (Thanks to Debbie Glaser for the
choice). Next week, I'll have Easter music. I'm waiting for more suggestions for cortinas. Let me know if you have some favorite non tango music, and I will try to play it.
A cortina (curtain) is a short piece (20–60 seconds) of non-dance music that is played between tandas at a milonga (tango dance event). The cortina lets the dancers know that the tanda has ended. The partners can then
without insult thank each other and return to their own tables, to find a new dance partner at the next tanda. Cortinas are used at many of the milongas in Argentina and Uruguay but are increasingly common elsewhere. - Wikipedia
Let us know if you are celebrating an occasion and would like to request special music for that night’s cortinas. We will try very hard to accommodate you.
April 18 - 24, 2019
Lessons with Monica Paz in New Jersey Sign up now
Monica Paz, our amazing teacher and friend from Buenos Aires, will be available for limited private lessons in New Jersey from Thursday, April 18th through Wednesday, April 24th. Sign up now while the opportunity still exists. She will visit us at our Firehouse Milonga on Thursday, April
18 and perform her wonderful milonguero style tango. Additionally, she will teach at Los Pitucos Milonga in Oakland on Saturday, April 21st.
Please call me at 201-826-6602 or e mail firehousetango@gmail.com to reserve time for lessons in New Jersey. Her schedule is filling up, so make your reservation soon. I will be happy to answer any questions that you might have.
She will also be giving private and group lessons in New York City.
For New York registration, please contact Monica at: tangopaz@yahoo.com.ar
www.mptango.com
About Monica
Monica Paz was born and raised in Buenos Aires, and tango has been her full time profession for almost 20 years. She specializes in Tango Milonguero style (with its strong chest-to-chest connection) which she loves to dance with the best old milongueros in the best milongas of Buenos Aires.
Seven years ago, Monica realized her dream of opening her own studio in Buenos Aires (at 30 Riobamba near the Congresso.) If you are in Buenos Aires, I highly recommend checking it out.
Monica has taught extensively all over the United States and Europe, as well as in Australia and much of South America. She is currently on a tango tour of the United States.
Monica's web site with interviews of old milongueros
Monica is passionate about preserving the traditions, codes, and history of tango. To this end, she continues pursuing her project of interviewing the precious few remaining old milongueros of Buenos Aires. Their stories and the videos accompanying them, as well as other wonderful
videos of Monica can be found on her web site at www.mptango.com Scroll down for English or Spanish selection.
Our Sympathy to Diane Langmuir
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Our sincere sympathy goes to Diane Langmuir on the loss of her father, Adrian Goodman, who died at the age of 98 in Encino, California.
We welcome readers' contributions about Argentine Tango in general and Firehouse Tango in particular. Send your thoughts to firehousetango@gmail.com
From Michael Ditkoff
http://seoultangofestival.com/2019/01/29/documentary/
I saw the entire documentary at the Chicago Tango Festival and it was wonderful.
Michael
How well deserved! How loved you surely are!
I am not up to much right now so damn it, missed a fabulous night for you and your dear friends to cherish.
Love,
Lucila
From Linda
Dearest Sue,
Happiest of Birthday years!
I love your newsletter and read every word. Though I have only been to Firehouse Tango once, probably 3 years ago, I feel that I know a lot of people from your loving newsletter.
I hope to get there to see Monica Paz's performance.
Viva El Tango and everyone at Firehouse,
Linda
From Stephanie D.
I'm new but i am happy to make some kosher for passover vegetable kugels and dessert (mandel and merengue cookies) for the passover night on the 25th
also i will bring a pasta dish for the easter celebration, the week before. im so excited to become part of this group
Stephanie Davis
Note from Sue - We would love it, and we warmly welcome you to the Firehouse Tango family.
From Frances Gillespie
Wish you the very best all year long,
Hugs, Frances
From Camille
Happy Birthday Sue! Sounds like last night was a blast, but don’t stop celebrating!
See you in a few weeks.
Camille
From Ingrid Jacob
Dear Sue,
it is MY pleasure to come to Firehouse as often as I can and celebrating your birthday yesterday was indeed special. You and your crew are amazing to give the Firehouse family a reason to get together every Thursday, it is quite a task and I admire you all for your dedication to Argentine Tango! Thanks a million.
Ingrid
From Veronica D.
Happy belated birthday, Sue! Hope you are well.
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Hi everybody, Fran here with your Tango Tip of the Week. In our post last week, we began a discussion of our current theme of balance — this time as it occurs in what I sometimes refer to as the “sixth fundamental element” of dancing social Tango — el pivoteo or the pivot. As mentioned in that post, the pivot enables dancers
to execute many of the more “advanced” figures in Tango, including ocho, molinete, boleo, calicita, along with an entire vocabulary of movements, comprising what is known as el sistema cruzado — the crossed system.
The ability to find balance during a pivot is one of the more difficult challenges in Tango. Last week, we focused on working toward this goal on your own. Today, we’ll talk about how to approach finding balance in the pivot with a partner.
El pivoteo (The pivot)
Before we break down the individual elements involved in leading/following the pivot, I want to remind you about an important ongoing principle of the lead/follow mechanism: A lead in Tango involves a very direct — but very slight — invitation, which emanates from the leader’s torso, asking his follower to execute a specific single movement. It is up to the follower to receive the individual lead, and act on this invitation. It is not the job of
the leader to carry his follower through the invited movement. He invites; he allows his follower to respond; then, if all has gone well, he may or may not elect to invite something else. The entire lead/follow mechanism — or invitation/response cycle — occurs in increments of one complete step.
That said (until I’m blue in the face, it seems), let me now suggest a possible way to go about meeting the challenge of achieving balance in the pivot with a partner:
1. Begin once again by forming a comfortable embrace with your partner. Be sure that you’re both solidly balanced on two feet. As a leader, gradually shift your partner’s weight to one foot (either one is fine). You can do this by gently shifting your own weight to the side you’ve chosen for her, or by rotating your torso very slightly in the direction to which you want her to shift her weight. Personally, I prefer to keep my feet slightly
apart with my weight evenly distributed here rather than on one foot. I find that this enables me to offer a clearer, more effective invitation to my partner, when I suggest the pivot. In shifting your partner’s weight to one foot, take careful note of the fact that whichever foot you’ve just asked her to balance on represents a balance axis around which you’re about to invite her to pivot. A common mistake leader’s make in the invitation to execute a pivoting action is to inadvertently
move their follower off this axis — and therefore totally out of balance.
2. With all of this in mind as a leader, rotate your torso slightly in one direction or the other. As a follower, respond to this invitation by rotating your center as far as you can in the direction suggested, while keeping your head facing your partner, and your heels neatly together with your weight on the ball of the foot on which the leader has asked you to balance. This will result in your body being in a twist — with your
head facing your partner and your lower body facing slightly less than 90 degrees to the left or right of the leader. Because of the inherent difficulty of maintaining balance during this movement, you as a follower may find that you need some degree of support from the leader as you pivot. However, as you become more and more experienced, you’ll find that you require less and less support in order to successfully execute the movement.
Note to followers:
Once you’ve executed this action, your pivot is complete. Normally, it would probably be followed by a lead to walk forward or backward in order to execute an ocho; however, at this moment our focus is on enabling you as a follower to achieve balance during the pivot itself as a singular element.
Note to leaders:
As with leading other movements, under no circumstances should you attempt to rush your follower into another step until you’re absolutely certain that she’s balanced and ready to continue. The follower must have the opportunity to bring herself into balance — without having to worry about what’s going to happen next.
Next week, we’ll move on to another subject. In the meantime, if you have any questions about balance (or anything else), be sure to ask Pat or me about your concerns. As always, we’re very happy to help.
Our cancelation policy - We STILL rarely cancel
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Even though we canceled when the thermometer read 3 degrees, we still rarely cancel!
We want to remind everyone that if the weather looks really bad, we will leave messages on our web site www.firehousetango.com and my cell phone 201-826-6602. Feel free to leave a message.
We cancel only when absolutely necessary (only about ten times in all these years, but please check whenever you're not sure. If there isn't any message, we're on.
During Hurricane Sandy, when we had only cell phone service, I was able to leave a message on my cell, so I guess that the best number to call is 201-826-6602.
And of course, without Terri Lopez (yes, I know I mentioned this before, but it bears repeating - and repeating) and Steve Turi we would have to close up shop.
A reminder that Firehouse Tango does not supply wine - Your fellow tangueros bring it. Therefore, if you drink it, please make sure to bring a bottle every so often.
The folks below brought food and wine this week -
- Henry Kim - Rolled Cookies
- Barbara Lombardi - Popcorn
- Brigitte & Sandor Szarka - Cakes
- Ingrig Jacob - Wein-Torte
And these people brought wine
- Barbara Lombardi
- Mary Pagano
- George Ngo
- Brigitte & Sandor Szarka
- Ceferino
- Bob Brillo
- John Barous
- Eduardo Campos
Tango in New Jersey and New York
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Milonga on the Hudson - in Edgewater, NJ - Second and Fourth Fridays
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MILONGA ON THE HUDSON
Every second and fourth Friday
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