November at Firehouse Tango
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November 15 - 29
No birthdays, just great dancing, eating, and socializing with wonderful people.
No Tango at
Firehouse on Thanksgiving Day, November 22nd
Firehouse Tango will be closed on Thanksgiving Day: Thursday, November 22nd. We hope you'll enjoy the day with your family, as we all will - and, of course, we'll look forward to seeing you on the following Thursday evening, November 29th. Happy
Thanksgiving!
Halloween Milonga errors and omissions
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The winners Errors and omissions
Scariest - Not Bill - Sorry - It was John
Omitted Most original - Mike and Debbie
If heaven is anything like celebrating one’s birthday at Firehouse Tango, it has a lot to recommend it. Frankly, I’d rather be at Firehouse. Thank you lovely tangueras, for a birthday memory I shall
cherish. Con mucho amore,
Steve Turi
I keep saying I do not want to celebrate any more birthdays, but how many men will line up to dance with me, if not for the
traditional tributes on birthdays.....oh well, you know that is not really true because our tanqueros dance with all of the ladies... Terri Lopez I'm waiting for more suggestions for cortinas.
Let
me know if you have some favorite non tango music, and I will try to play it. Last week, I played Halloween cortinas. Last week, I honored Fats Domino, one of my favorites, who died a year ago this week. Next week, I'll use Queen.
A cortina (curtain) is a short piece
(20–60 seconds) of non-dance music that is played between tandas at a milonga (tango dance event). The cortina lets the dancers know that the tanda has ended. The partners can then
without insult thank each other and return to their own tables, to find a new dance partner at the next tanda. Cortinas are used at many of the milongas in Argentina and Uruguay but are
increasingly common elsewhere. - Wikipedia
Let us know if you are celebrating an occasion and would like to request special music for that night’s cortinas. We will try very hard to accommodate you. We welcome readers' contributions about Argentine Tango in general and Firehouse Tango in particular. Send your thoughts to firehousetango@gmail.com We welcome readers' contributions about Argentine Tango in general and Firehouse Tango in particular. Send your thoughts to firehousetango@gmail.com Hi everyone, Fran here with your Tango Tip of the Week. One of the subjects you’ve heard me talk about again and again in these pages is what I refer to as the lead/follow mechanism. I do this, of course, because I believe that lead/follow is the essential foundation for dancing social Tango with any degree of skill and
competence.
During previous Tango Tips, I have described in great detail what I believe to be the essential elements of lead/follow. Today, I want to explore a somewhat more complex characterization of this crucial skill set, one that I think will more fully embody the manner in which experienced Argentine social dancers actually interact with one another. I base this discussion on a series of highly focused conversations/lessons I had the good fortune and privilege to engage in some years ago with the late Carlos Gavito, a close friend, Tango mentor, and principle
dancer in the world-famous Tango extravaganza, “Forever Tango.”
When discussing what actually occurs between a leader and a follower during the dance, Carlos said on many occasions, “I invite her [the follower] to take an action. She responds. I monitor her response; I become the follower as I accompany her action.”
I believe that within this deceptively simple expression, we find the very essence of the lead/follow mechanism:
1. I invite an action. 2. The follower responds to my invitation by executing the action.
3.
I monitor her response. 4. I become the follower as I accompany her action.
Over the next several Tango Tips, I plan to explore each of these elements individually in order to clarify what they mean, and how each contributes to the execution of each movement in the dance by a leader and follower. For purposes of this ongoing
discussion, I am going to rename the words “lead” and “follow” to “invite” and “respond.” Instead of the terminology I’ve been using to date; i.e., “the lead follow mechanism,” I’m going to call this skill set “the invitation/response cycle.” As we will see, this newly coined terminology is designed to far more appropriately define what actually occurs between the leader and follower in the collaborative execution of a single step in the dance.
Please join me next week for Part 1: “I invite an action.”
Downloads, downloads, downloads!
Now, you can download Fran and Pat’s exclusive Tango Workshop
Video Collection to your computer or handheld device.
If you’ve ever attended one of our Tango Workshops, you know just how much fun they are, how much solid information they offer, and how important each one can be to your progress as a social Tango dancer!
· Starting now, you can access any technique, any figure from any or all of these great Workshops anytime, anywhere – all at a single click.
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Check out our Web site to find out more about our exclusive Tango Workshop Video Collection. It’s quick; it’s easy; it’s priceless!
Download Now: www.franchesleigh.com/videos QUESTIONS? Send Fran an email https://www.franchesleigh.com/contact/
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EVENTS _____________
Latin
Night at La Havana 59 110 Moonachie Ave, Moonachie NJ Tuesday, Nov. 27th*Tuesday, No Dec. date due to holidays7:00 to 10:00 pmMostly Salsa and Argentine Tango... some Bachata, Merengue, Rumba, & Cha Cha.A Latin evening for those who enjoy Latin music, food, and dancing!An Argentine Tango lesson to start (for all level dancers).$20.00 cover includes 2 house drinks or 1 drink & 1 Latin Night appetizerFor reservations and directions:http://www.lahavana59.com201 964
9515
************************** Biagio's Restaurant for Dinner & Dance299 Paramus Rd, Paramus NJ Our next dinner and dance will be in 2019. Please save the date*This will be our 5th year at Biagio's.Sunday, January 13th 6:00 to 9:00 pmA mix of music for all types of partner dancing.This is a good place to invite new dancers and friends.A beginner dance lesson to start
off the night.Please note change:$40.00 for dinner and dancing / Cash barPlease remember to tip the wait staff***For this event, reservations with a credit card are requested in advance.**Call Biagios 201 652 0201The enables the restaurant to prepare the room and enough food! For reservations and directions:http://www.biagios.com201 652
0201 |
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Lisa Skates Simply Social
Dancing 201 694 7087 |
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Our cancelation policy - We STILL rarely cancel
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Even though we had to cancel once last year because of a blizzard, we still rarely cancel!
We want to remind everyone that if the weather looks really bad, we will leave messages on our web site www.firehousetango.com and my cell phone
201-826-6602. Feel free to leave a message.
We cancel only when absolutely necessary (only about eight or nine times in all these years - including, unfortunately, the Thursday that I was in Florida, but please check whenever you're not sure. If there isn't any message, we're on.
During Hurricane Sandy, when we had only cell phone service, I
was able to leave a message on my cell, so I guess that the best number to call is 201-826-6602.
Of course, without Terri Lopez and Steve Turi we would have to close up shop. A reminder that Firehouse Tango does not supply wine - Your fellow tangueros bring it. Therefore, if you drink it, please make sure to bring a bottle every so often.The folks below brought food and wine this week - - Barbara Lombardi - Popcorn
- Eva Roth - Chocolate Strip Cake
- Ingrid Jacob - Cheese Cake
Not surprisingly, the Firehouse folks loved the delicious pastry-fest.
And these people brought
wine - Mary Pagano
- Barbara Lombardi
- John
Sullivan
- George Ngo
- Victor Arencibia
- Bob Brillo
- Francis &
Marie
- Eduardo Campos
Tango in New Jersey and New York
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